There, you can tweak the white balance of your clip in case it’s off as well as adjust the contrast of the image to your taste. Long story short, you need to create a nice S-curve so that both your shadows and highlights areas stay within range without going above 100 and below 0 respectively.Īfter that, navigate to the Basic Color Correction tab. It’s also highly recommended to open up your Waveform monitor to be able to tweak this setting more precisely, as opposed to making adjustments only by eye.
Sony fs7 white balance preset adobe premiere pro#
Once you import the footage in Premiere Pro CC 2017, go to your Color Workspace and navigate to the Curves tab. In the meantime, keep an eye on your highlights and adjust your exposure accordingly in case you need to. Even though the following workflow refers to Premiere Pro CC 2017, you can apply basically the same rules in every other color grading platform that features the color grading tools utilized in the video below.įirst of all, it’s important to overexpose your footage with at least two stops when shooting with this color profile, as the Sony mirrorless cameras tend to produce some grain even when properly exposed while shooting in S-Log 3. Yet, there are certain recommendations that you should bear in mind to be able to get the best results quickly and efficiently.
![sony fs7 white balance preset adobe premiere sony fs7 white balance preset adobe premiere](http://www.danmccomb.com/wp-content/uploads/2017/06/sony-fs5-quick-setup-guide.jpg)
In fact, you can do this just as you would normally do with any other footage that needs to be color graded.
![sony fs7 white balance preset adobe premiere sony fs7 white balance preset adobe premiere](https://www.provideocoalition.com/wp-content/uploads/c66fd32dacf9b91f70d1dbc3991174fa-1024x720.jpg)
Nevertheless, many people still struggle when it comes to pulling off this tricky color grading task. Color grading Log footage isn’t rocket science by any means.